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Liszt: Trois Odes funèbres, S112Work length11:45Wiener AkademieMartin HaselböckNo. 3, Le triomphe funèbre du TasseTrack length11:45 Liszt: Héroide funèbre, symphonic poem No. 8, S102Work length17:56Wiener AkademieMartin Haselböck Liszt: Die Ideale, symphonic poem No. 12, S106Work length28:34Album onlyThis work is only available as an album download.Album onlyThis work is only available as an album download.Wiener AkademieMartin Haselböck Liszt: Prometheus, symphonic poem No. 5, S99Work length13:51Wiener AkademieMartin Haselböck Liszt: Festklänge, symphonic poem No. 7, S101Work length19:30Wiener AkademieMartin Haselböck Liszt: Hamlet, symphonic poem No. 10, S104Work length14:31Wiener AkademieMartin Haselböck Liszt: Von der Wiege bis zum Grabe, symphonic poem No. 13, S107Work length15:28Wiener AkademieMartin HaselböckRecorded: October 2011Recording Venue: Raiding, AustriaII. Der Kampf um's DaseinTrack length3:35III. Zum Grabe, die Wiege des zukünftigen LebensTrack length6:55 Liszt: 4 Märsche von Franz Schubert, S. 363Work length31:06Wiener AkademieMartin HaselböckRecorded: June and October 2014Recording Venue: Franz Liszt Hall, Lisztzentrum Raiding, AustriaNo. 4, Ungarischer MarschTrack length6:04 Liszt: Wandererfantasie (Schubert), S366Work length20:42Gottlieb Wallisch (piano)Wiener AkademieMartin HaselböckRecorded: June and October 2014Recording Venue: Franz Liszt Hall, Lisztzentrum Raiding, AustriaI. Allegro con fuoco, ma non troppoTrack length6:05 Liszt: Trois Odes funèbres, S112Work length19:57Recorded: June and October 2014Recording Venue: Franz Liszt Hall, Lisztzentrum Raiding, Austria Liszt: Vexilla regis prodeunt, S. 355Work length6:06Wiener AkademieMartin Haselböck Liszt: Zweiter Mephisto-Walzer, S111 / R428Work length11:07Wiener AkademieMartin Haselböck Liszt: Episoden (2) aus Lenau's Faust, S. 110Work length27:19Wiener AkademieMartin HaselböckRecording Venue: Raiding, AustriaNo. 1, Der nächtliche ZugTrack length15:01No. 2, Der Tanz in der Dorfschenke (Erster Mephisto Walzer)Track length12:18 Liszt: 2 Légendes, S. 354Work length19:21Wiener AkademieMartin HaselböckRecording Venue: Raiding, AustriaNo. 1, St. François d'Assise

Ultimate Design 1828, Vienna: When Ignaz Bösendorfer started his own piano manufacturing company the young virtuoso Franz Liszt is ruining almost every piano with his passionate playing. At this time, there are nearly 150 piano builders in Vienna alone, which actually illustrates the importance of piano music. Following the advice of his friends Liszt selects a Bösendorfer Grand for his concert and, in fact, this piano withstands his powerful performance. Bösendorfer becomes famous overnight. A close friendship shall evolve between Franz Liszt and Bösendorfer. This Bösendorfer Grand, crafted with precious Vavona veneer, is a tribute to this exceptionally talented, pianist and composer, who himself owned quite a few Bösendorfer Grands. The close relation with Bösendorfer is documented by more than 40 letters and telegrams written by Liszt. Pianists have always found a reliable partner in a Bösendorfer Grand. Artists do not have to limit their virtuoso play in any way and may unleash their artistic play freely. Like Liszt once did. The perfection of a Bösendorfer exceeds my wildest expectations.Franz Liszt( 1811 - 1886 ) Resonance Case Principle Details Very similar in principle to a violin the whole body - not exclusively the soundboard - supports sound formation. The actual core of the piano rim consists of a 10 mm quarter-sawn piece that is specially grooved by our craftsmen to allow it to be bent to the silhouette around the inner rim. This is unique to Bösendorfer. When a note is played, the integrated spruce components become acoustically active, forming a complete resonating body that allows the whole instrument to project your play. An outstanding richness of tone colour and our legendary pure and brilliant sound is crafted this way. This complex construction is part of the Viennese tradition of piano making. From delicate pianissimo to splendid fortissimo Details A Bösendorfer Grand shows optimal controllability. Developed in cooperation with artists and technicians our action is crafted to our own, refined specification. This action is built to transfer the finest articulation of masterful play. Controllability at play. Unique bass strings Details All bass strings are spun in our unique Bösendorfer way. A steel core string is the basis for 1 or two layers of copper. The carefully spun strings are a substantial element of the warm and sonorous Bösendorfer bass Independent Capo d’Astro Details Bösendorfer is the only piano manufacturer that applies a detachable and independent Capo d’Astro in the upper register. This is how we assure an utmost precise adjustment in the upper register guaranteeing the original Bösendorfer Sound for generations: Unique sound for more than one generation. Traditional Sand Cast Details We are using the traditional sand casting to forge our frame. Our raw frames, produced in Austria, rest 6 months outside the factory. This is how all inner strain of the forging process are released allowing the frame to remain relaxed under 20 tons of string tension. Pure stability. Open pinblock Details Tonal stability at its best: Our open pinblock consists out of 3 layers of 7mm quarter

Of Satie's Gymnopedie 3. Debussy Gymnopedie 1, arrangement of Satie's Gymnopedie 3Pictures at an Exhibition, a suite of ten piano pieces by Modest Mussorgsky, has been arranged over twenty times, notably by Maurice Ravel.[9] Ravel's arrangement demonstrates an "ability to create unexpected, memorable orchestral sonorities".[10] In the second movement, "Gnomus", Mussorgsky's original piano piece simply repeats the following passage:Mussorgsky Gnomus original bars 19-24 Mussorgsky "Gnomus", original bars 19–25Ravel initially orchestrates it as follows:Mussorgsky-Ravel "Gnomus", first orchestration Mussorgsky-Ravel "Gnomus", first orchestrationRepeating the passage, Ravel provides a fresh orchestration "this time with the celesta (replacing the woodwinds) accompanied by string glissandos on the fingerboard".[10]Mussorgsky-Ravel Gnomus, second orchestration Mussorgsky-Ravel "Gnomus", second orchestrationSongsA number of Franz Schubert's songs, originally for voice with piano accompaniment, were arranged by other composers. For example, his "highly charged" and "graphic" song "Erlkönig" ("The Erl King") has a piano introduction that conveys "unflagging energy" from the start.[11]Schubert "Erlkönig", piano introduction Schubert "Erlkönig", piano introductionThe arrangement of this song by Hector Berlioz uses strings to convey faithfully the driving urgency and threatening atmosphere of the original."Erlkönig", arrangement by Berlioz Berlioz adds colour in bars 6–8 through the addition of woodwind, horns, and a timpani. With typical flamboyance, Berlioz adds spice to the harmony in bar 6 with an E flat in the horn part, creating a half-diminished seventh chord which is not in Schubert's original piano part."Erlkönig", arrangement by BerliozThere are subtle differences between this and the arrangement of the song by Franz Liszt. The upper string sound is thicker, with violins and violas playing the fierce repeated octaves in unison and bassoons compensating for this by doubling the cellos and basses. There are no timpani, but trumpets and horns add a small jolt to the rhythm of the opening bar, reinforcing the bare octaves of the strings by playing on the second main beat.Erl King - arrangement by Liszt opening bars Erl King – arrangement by Liszt, bars 1–4Unlike Berlioz, Liszt does not alter the harmony, but changes the emphasis somewhat in bar 6, with the note A in the oboes and clarinets grating against rather than blending with the G in the strings.Erl King – arrangement by Liszt, bars 5–8"Schubert has come in for his fair share of transcriptions and arrangements. Most, like Liszt's transcriptions of the Lieder or Berlioz's orchestration for Erlkönig, tell us more about the arranger that about the original composer, but they can be

In Regina, Saskatchewan (d. 2022)Apr 30 Raoul de Keyser, Flemish painter, born in Deinze, Belgium (d. 2012)Famous DeathsApr 1 Cosima Liszt, Austrian wife of composer Richard Wagner (founded Bayreuth Festival together), daughter of Franz Liszt and Marie d'Agoult, dies at 92Apr 1 Zawditu, 1st reigning female monarch of Ethiopia, diesApr 2 Zewditu, Empress of Ethiopia (1916-30), dies at 53Apr 3 Emma Albani, Canadian operatic soprano, dies at 82Apr 4 Vladimir Majakovski, Russian poet, diesApr 16 José Carlos Mariátegui, Peruvian journalist, political philosopher and activist (b. 1894)Apr 17 Alexander Golovin, Russian painter and stage designer, dies at 67Apr 19 Charles Scribner II, American magazine and book publisher, dies at 75Apr 19 Georges-Casimir Dessaulles, Canadian senator (b. 1827)Apr 21 Alex Smith, Scottish-American golfer (US Open 1906, 10), dies at 56Apr 21 Robert Bridges, English poet (Testament of beauty) and British Poet Laureate (1913-30), dies at 85Apr 22 Jeppe Aakjær, Danish poet and novelist (Bondens Søn), dies at 63Apr 24 Henry Ernest Dudeney, English mathematician and puzzle maker, dies at 73