Lugosi

Author: s | 2025-04-23

Definition of Lugosi in the Definitions.net dictionary. Meaning of Lugosi. What does Lugosi mean? Information and translations of Lugosi in the most comprehensive dictionary definitions resource on the web.

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Good story go. In Tim Burton's 1994 film "Ed Wood," the Lugosi/Karloff feud was a plot point. The film follows real-life filmmaker Edward D. Wood Jr. in his attempt at greatness as a director and producer. In the movie, Wood's character (played by Johnny Depp) meets Bela Lugosi. Lugosi is persuaded to star in several of Wood's films, in what would turn out to be his final film roles before his death. At one point in the movie, Lugosi's character (played brilliantly by Martin Landau), has a comment made to him about Boris Karloff. Lugosi screams (via Groovy History), "Karloff does not deserve to smell my s***!" AdvertisementWhile making for hilarious cinema, Lugosi's genuine sentiments couldn't have been further than how Landau portrayed his feelings about his fellow actor. In fact, the children and grandchildren of both Lugosi and Karloff made numerous public statements after the release of "Ed Wood," in an effort to hopefully dispel one of Hollywood's oldest myths.

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United Archives/Getty Images If we were to believe everything in the Hollywood gossip rags about the stars, we'd be left with a lot of fractional truths that have been sensationalized for the sake of publicity. Some people love to read nothing more than how certain stars love to hate one another. And this isn't a new thing; it's been a Hollywood ploy since the silent era since the fabled rivalry between Buster Keaton and Charlie Chaplin (via Taste of Cinema). While some feuds among the stars were certainly rooted in truth (the Joan Crawford vs. Betty Davis one is legendary), many more were ploys to keep moviegoers flocking to the theaters.AdvertisementFans of silver screen horror films have probably heard of a notorious rivalry between Hollywood newcomers Bela Lugosi and Boris Karloff. Both men gained box office fandom in 1931 after the February release of Tod Browning's "Dracula" (starring Lugosi) and the November release of "Frankenstein," which starred Karloff. With both actors becoming overnight successes, what room would there have been for a rivalry?Film historians point out that Lugosi's portrayal of "Dracula" made the horror genre become a pop-culture sensation (via Vintage News). With the immediate success of his first film, Universal Studios executives didn't waste any time offering Lugosi the role of the Frankenstein monster, in a film to be released later in the year. So how did Boris Karloff get the role?Advertisement Lugosi's refusal and Karloff's big break United Archives/Getty Images When studio executives first pitched the idea of playing the Frankenstein Monster to Lugosi, he was a bit skeptical. After spending several years portraying Dracula on Broadway, and then starring on the silver screen in the same role, he was afraid of being typecast as a horror monster. After reading the script, Lugosi was furious that this prospective role had no lines at all. He was also turned off by the idea of his face being obscured by all of the makeup that he would need to have applied to play the monster. Rumor has it that he botched his screen test for the part, forcing the studio

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Benny ever did. Nevertheless, it is a picture tinged by tragedy: Returning from a war bond tour, Lombard, then just 33, died in a horrific plane crash in a remote part of Nevada. Where to stream: HBO Max, The Criterion Channel James Dean in Rebel Without a Cause (1955) American teenage culture was just coming into its own in the 1950s, and no actor captured the zeitgeist quite like James Dean, who somehow appeared in only one film role of any significance (in East of Eden) before his death at 24 in a road racing car accident. The future looked bright, but not for long; that role earned him an Oscar nomination, but death moved on Dean quickly; even that very first nomination wound up being posthumous. Two classics were released after his death: Rebel Without a Cause, which solidified his place as a hero to white, suburban teens of the 1950s; and Giant, which earned him a second posthumous Oscar nomination. Though he certainly would have had more great performances ahead of him had he lived, in death, he became a Hollywood legend.Where to stream: HBO Max Bela Lugosi in Plan 9 from Outer Space (1957) What probably seemed like a tragicomic ending to Lugosi’s career took on new dimensions with the release of Tim Burton’s quirky biopic Ed Wood, which cast Martin Landau as cinema’s most memorable Dracula and dramatizes, in part, the making of Plan 9, infamously regarded as the worst movie ever made (it isn’t). In the years since, Ed Wood’s magnum opus has become a midnight movie staple that defines “so bad it’s good.” Lugosi died partway through the production, and his scenes completed with the help of the director’s wife’s chiropractor as a stand-in; never mind that he bears not the slightest resemblance to Lugosi.Where to stream: Tubi, The Roku Channel, Hoopla, Mubi, Pluto, Freevee Clark Gable in The Misfits (1961) Nearly two decades after his wife Carol Lombard’s tragic death just prior to the release of To Be or Not to Be, Clark Gable died of complications from a heart attack just two days after he completed filming on John Huston’s unconventional western The Misfits. And, like that earlier film, it wasn’t terribly well appreciated in its time, but is now seen as a classic, featuring impressive performances from Gable and co-stars Montgomery Clift and Marilyn Monroe. Written by playwright Arthur Miller, who. Definition of Lugosi in the Definitions.net dictionary. Meaning of Lugosi. What does Lugosi mean? Information and translations of Lugosi in the most comprehensive dictionary definitions resource on the web. Lynne Lugosi Sparks, granddaughter of Dracula's Bela Lugosi and countess of Lugosi Enterprises sits down to chat about her family's legacy, growing up Lugosi

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To release him from consideration (via Vintage News). AdvertisementEnter Boris Karloff. Karloff, a veteran silent-era player, had just achieved some moderate success with the recent film "The Criminal Code" (via The Famous People). Karloff begged for a chance at a screen test. Director James Whale saw Karloff's potential in this role, and legendary make-up artist Jack Pierce raved about the possibilities of being able to transform Karloff's face into that of a hideous monster (via American Society of Cinematographers). When the release of "Frankenstein" was announced, the studio kept quiet about who had landed the role of Frankenstein's Monster. Many movie fans were certain that it would be Lugosi in the role, and Universal didn't confirm or deny this. Even the opening credits had a "?" listed for who was playing the part. Those who saw the film became raving fans of Karloff, who was about to earn his title as "The King of Monsters" (via Library Point).Advertisement Dracula vs. Frankenstein United Archives/Getty Images Studio executives were seeing the earnings potential with Karloff in more leading horror roles. Lugosi, meanwhile, was losing out on starring roles in other genres to actors like Lionel Barrymore. Lugosi's dream of film versatility was quickly fading away, and Karloff's rising star was far outshining his own. Jealous of Karloff's attention and success, Lugosi was grousing about his lack of fortune in Hollywood to others in the industry.AdvertisementThis jealousy was the root of rumors that the two actors despised one another. Movie houses all over the United States began to capitalize on these rumors, hosting double features of the two films. "Dracula" vs. "Frankenstein" showings were happening all over the country, bringing in scores of fans into packed theaters to watch the films again. In reality, the two actors were very friendly toward one another, and had a level of mutual professional respect. The ill-founded rumors of their resentment of each other were pure Hollywood publicity. Years later, relatives of each actor went on the record stating that the rumors weren't true (via Vintage News). Rumors never die LMWH/Shutterstock But Hollywood refused to let a

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“check the children” and threatening their lives. She calls the police, and finally they tell her “the calls are coming from inside the house,” coining an everlastingly enduring phrase. Yep, the killer was already upon them…Think of “When a Stranger Calls” as a triptych: The first part is pure Hitchcockian suspense, the third part is like a John Carpenter battle royale showdown. And the second part, the middle part, that’s where things get tricky, and is the reason why many critics have slept on this singular movie. The middle part of “When a Stranger Calls” sees the killer (Tony Beckley) escape from prison after some years and him trying to act “normal” in Los Angeles, where he romantically pursues a woman at a bar played by Colleen Dewhurst. Suddenly it’s not a horror movie at all but something almost Bergmanesque, a relationship study of pathos and pity. It’s just about the most a horror movie, or any movie, has ever asked you to empathize with a child killer. And Beckley’s withered frame (the actor died of an unknown illness just six months after the film’s release, and appears so gaunt there’s some suspicion he may have been an undiagnosed early AIDS victim) is unforgettably chilling. For some, this middle section — moody in its inhabiting of a particularly industrial and offputting L.A. — may be where “When a Stranger Calls” falls apart. True aesthetes will recognize this section as elevating the entire movie to true greatness. —CB95. “The Black Cat” (dir. Edgar G. Ulmer, 1934) “Suggested by” and not “adapted by” the Edgar Allan Poe short story of the same name, Edgar G. Ulmer’s Universal Pictures box office hit is really just a wholly original story made for the purpose of getting two horror icons on the same set together. Frankenstein’s Monster Boris Karloff and Dracula Bela Lugosi unite to play rivals in the first of eight movies that would pair them. Lugosi is a mysterious psychiatrist who, with an innocent American couple serving as the audience surrogates in tow, arrives during a cold dark night at the remote Hungarian mansion of Karloff’s menacing architect to settle some unfinished business and uncover a satanic scheme. Thin at a little over an hour, “The Black Cat” nonetheless has a huge place in horror history as an early film to emphasize atmosphere and human cruelty over monsters to create terror. And Karloff

Bela Lugosi as Count Dracula

Wet look with stiff hold. This style was popular among musicians who played the type of music that came to be called rockabilly.Elvis Presley rockabilly hairstyleCreating the Pompadour took a little more creativity than some of the popular 1950s hairstyles. It had to be cut in such a manner as to leave the front of the top hair longer than the back. This allowed one to create exaggerated height in front when flipping the hair back.Conservative StyleMarlon Brando short hairstyleOlder men of the decade simply had their hair cut short and applied cream to plaster it to their heads. Most parted the hair on one side and combed straight over to the other. The sides were combed down, as was the back. This was seen as a conservative style that was acceptable in professional settings. The cream was probably not necessary, but it had come to be the fashion of the time. Today, the gel is used to create the same look.Cary Grant hairstyleDon Draper conservative hairstyleSlicked BackBela Lugosi hairstyleA few simply combed their hair from front to back. This included the sides and the top. Hair cream was applied liberally to plaster the hair to the head. This style was actually made popular by the Dracula character from horror movies at the time as played by Bella Lugosi. Those with receding hairlines tended to reveal a widow’s peak when wearing this style.Christopher Lee hairstyleMarlon Brando hairstyle in The Godfather movieHere you go, some of the more modern versions of these classics:Mohawk With Pompadour:This one is a modern greaser featuring pompadour cum Mohawk. All you got to do is shave the sides and create a Mohawk on top but, be careful to keep enough hair by the midline so that you can style it with some pomade gel and a. Definition of Lugosi in the Definitions.net dictionary. Meaning of Lugosi. What does Lugosi mean? Information and translations of Lugosi in the most comprehensive dictionary definitions resource on the web.

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Before Bela Lugosi ever donned his Dracula cape, there was Max Schreck’s pointy-eared Count Orlok, the villain in the 1922 German silent film Nosferatu: A Symphony of Horror. It’s now recognized as one of the greatest horror movies ever made—and inspired the, ahem, revamped version, starring Bill Skarsgård as Orlok and Willem Dafoe as the Van Helsing-like Professor Albin Eberhart Von Franz, and opening in theaters on December 25, 2024.-->Before Bela Lugosi ever donned his Dracula cape, there was Max Schreck’s pointy-eared Count Orlok, the villain in the 1922 German silent film Nosferatu: A Symphony of Horror. It’s now recognized as one of the greatest horror movies ever made—and inspired the, ahem, revamped version, starring Bill Skarsgård as Orlok and Willem Dafoe as the Van Helsing-like Professor Albin Eberhart Von Franz, and opening in theaters on December 25, 2024.The original Nosferatu has a complicated legacy because it shamelessly plagiarized Bram Stoker’s Dracula. And yet, if it had never been made, the vampire genre so embedded in pop culture might never have taken off. Let’s take a bite out of a truly terrifying classic. -->The original Nosferatu has a complicated legacy because it shamelessly plagiarized Bram Stoker’s Dracula. And yet, if it had never been made, the vampire genre so embedded in pop culture might never have taken off. Let’s take a bite out of a truly terrifying classic. Nosferatu wasn’t the first film to be based on Bram Stoker’s Dracula.Nosferatu brazenly ripped off Stoker’s novel.The movie’s artistic production was inspired by the work of Czech artist Hugo Steiner-Prag.Nosferatu’s vampire was played by a little-known actor.Some special effects were achieved with stop-motion photography.Orava Castle in Slovakia stands in for Orlok’s abode.Nosferatu originated a common vampire trope.The movie’s premiere was followed by a costume party. Florence Stoker sued the studio. Many soundtracks have been written for Nosferatu.Werner Herzog wrote, produced, and directed a remake of Nosferatu.Nosferatu wasn’t the first film to be based on Bram Stoker’s Dracula.-->Nosferatu wasn’t the first film to be based on Bram Stoker’s Dracula.Drakula (Paul Askonas) and Mary Land (Margit Lux) in ‘Drakula Halála’ (1921). | Wikimedia Commons

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The Forgotten Spanish Version of Dracula Is a Much Better Movie Dracula Sign in to your CBR account The 1931 classic, Dracula, is an iconic piece of cinematic history that's influenced a slew of remakes and adaptations over the years. Bela Lugosi's performance as the famous bloodsucking count is indeed memorable and has helped propel the character as a cultural icon. However, there's another version of the film that often gets overlooked. While director Tod Browning and his crew were filming Lugosi and his fellow actors during the day, another cast and crew used the same set at night to produce a Spanish-speaking iteration of the picture. While both productions tell the same story, the Spanish version, directed by George Melford, is arguably the better movie. At the time, Universal Studios and other production companies used the same film sets and props to create foreign-language versions of their movies to tap into non-English speaking markets. As a result, in the Spanish version, Count Dracula is played by Carlos Villarías. At the same time, characters like Mina Seward (Helen Chandler), Lucy Weston (Frances Dade) and John Harker (David Manners) become Eva (Lupita Tovar), Lucía (Carmen Guerrero) and Juan (Barry Norton). Moreover, because the movie catered to foreign audiences in Latin America, there's added emphasis on religion, and the costumes were more risqué in contrast to their English counterpart. Nevertheless, although there's some variation, the quality of the Spanish Dracula over its more well-known equivalent comes down to the actors' performances and its use of close-ups and space. Dracula's Spanish Cast Excels in a Way the English One Doesn't Both films begin with Renfield (Dwight Frye/ Pablo Álvarez Rubio) traveling the Transylvanian countryside towards Castle Dracula. Upon his arrival, the solicitor is met by the count, who enthralls him into servitude. However, Frye's acting pales compared to Rubio's -- the English Renfield is more reserved than his Spanish contemporary. While Frye plays Renfield as a coy, quiet man turned a sniveling ghoulish lackey, Rubio's portrayal is more emotionally unhinged, and his laugh strikes greater fear with its shrieking tones than the English-speaking actor's snickers. Similarly, Villarías unique interpretation of Dracula is more dynamic than Lugosi's stoic inflections. Where Lugosi silently creeps and uses a flat affect paired with an unapproachable courtesy and unexpressive stare to drive fear into the hearts of his viewers, Villarías conveys the count as a sophisticated, expressive and. Definition of Lugosi in the Definitions.net dictionary. Meaning of Lugosi. What does Lugosi mean? Information and translations of Lugosi in the most comprehensive dictionary definitions resource on the web. Lynne Lugosi Sparks, granddaughter of Dracula's Bela Lugosi and countess of Lugosi Enterprises sits down to chat about her family's legacy, growing up Lugosi

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+ Crime Does Not Pay was an anthology radio crime drama series based on MGM's short film series which began in 1935 with Crime Does Not Pay: Buried Loot. The shows were transcribed at MGM's New York station, WMGM.Written by Ira Marion and directed by Marx B. Loeb, the radio program aired in New York on WMGM for two years (October 10, 1949-October 10, 1951), including repeats. It moved to the Mutual Broadcasting System for its final run (January 7-December 22, 1952).For the most part, actors who appeared in B-films were featured, but occasionally one of MGM's major stars would make an appearance. Actors in the series included Bela Lugosi, Everett Sloane, Ed Begley, John Loder and Lionel Stander. After the play, the actors usually returned to speak with the audience.Composer-conductor John Gart furnished the music.-WikiPedia Click here to read more about Crime Does Not Pay Radio Shows Comments Photos Add your comment about the show Other "Crime" Shows you may enjoy: Black Museum Dead Reckoning Twenty First Precinct (21st precinct) Radio Detectives Avenger, The