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WaveLab Pro 11 WaveLab Elements 11 WaveLab LE 11 Version history February 2025 WaveLab includes several new features and HAMBURG, GermanySteinberg today announced the immediate availability of WaveLab Pro 11 and WaveLab Elements 11. WaveLab Pro offers a comprehensive feature set that meets all

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The WaveLab department at Steinberg have been very busy indeed...While WaveLab is well‑established as leading audio editing software, audio formats and delivery platforms are constantly evolving, as are the demands placed by users on their software tools. Thankfully for WaveLab’s loyal following, it would appear that Steinberg are not resting on their laurels, on paper at least; WaveLab Pro 11 looks like it delivers a bumper bundle of new and improved features.This follows some impressive advances in the two most recent iterations of SpectraLayers Pro and, if your audio production work happens to span the broad catalogue of Steinberg applications, I think it is a good thing to see both WaveLab and SpectraLayers getting their share of the development attention. So, with a long list of ‘new for 11’ with this WaveLab Pro upgrade, let’s get started.Ride The WaveOver the 25 or so years of WaveLab existence, a diverse user base have joined the ride. This includes musicians, audio editors in traditional radio, TV and film broadcasting, mastering engineers, audio analysis and audio forensics. However, the needs of those users are always changing while, at the same time, the potential user base has expanded.For example, for those working in film, the ability to work with an ever‑expanding set of multichannel audio formats is important. For mastering engineers (or musicians doing their own mastering), audio analysis and options for meeting the different loudness standards set by a diverse suite of streaming platforms have become critical over recent years. Independent podcast producers represent a massive new potential user base and need a software environment that suits their workflow and provides export formats targeted to their different broadcast platforms.Existing WaveLab users can be reassured that Steinberg have not reinvented the wheel with Pro 11 and its core features and major workflows (covered in many previous SOS reviews) remain intact. The ‘new and improved’ in v11 contains an interesting mix of things that will appeal long‑standing and potentially new users alike; I’ll focus on these new features here.Improve Your VisionWaveLab has always provided a range of different audio metering/analysis tools but Steinberg added a

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With the 2022 release of WaveLab 11, Steinberg added over 40 new features and enhancements to its flagship audio editor. These additions beefed up WaveLab’s already prodigious toolset for mastering, audio for video, podcast production and more. Let’s take a look at some of the highlights, starting with those common to both the Elements and Pro versions.Clean and Enhance Track Inspector WindowsThe new Clean and Enhance windows in the Track Inspector provide convenient real-time processing of individual tracks. Clicking on the Track Effects shortcut brings up two distinct sections: Clean and Enhance, each with on/off buttons and one-knob controls.The Clean section features three effects: DeHummer, DeNoiser and DeEsser. All have a Reduction knob for controlling the amount of processing, along with a Listen knob for monitoring the part of the signal removed by the effect. The DeHummer offers options for removing 50 or 60 Hz hum, while the DeEsser has a Character Control for differentiating between male and female voices.The Enhance section offers four more effects: Voice Exciter with Amount and Clarity controls; Reverb with Size and Mix controls; EQ with Low, Mid and High-frequency knobs, as well as a Low Cut filter; and Maximize with an Optimize control.The new Clean and Enhance effects.Multicore ProcessingStarting with WaveLab 11, there was support for multicore processors for Audio Montages, making its performance even faster. If you’ve got a session with many tracks, clips and plug-ins, you’ll notice a speed boost if you’re working on a fast computer. The program also can suspend processing on plug-ins when they’re idle, saving CPU resources.Replace Audio in VideoThe version 11 release allowed you to replace part or all of a video’s audio track from within WaveLab, without affecting the video quality. Once you’ve finished editing the audio, you can render the video in its original format.Direct Podcast UploadsAlso added was a powerful feature to speed up and simplify your workflow when creating and editing podcasts: the ability to upload content directly to directories like Spreaker, Podbean, Soundcloud, Buzzsprout and Castos. WaveLab 11 also includes all the features of Steinberg’s dedicated podcast production software WaveLab Cast.Simplified DuckingIn podcasts and other productions featuring spoken words, it’s often necessary to duck the music at times to let the voices come through. The new auto-ducking feature in the Audio Montage window allows you to set the voice track (or any other track) as a modulator that will automatically duck another track. Several adjustable parameters allow you to fine-tune the ducking behavior.Extended Multitrack SupportSupport for multi-channel interleaved files was expanded, with WaveLab Pro supporting up to 22.2-channel surround layouts of WAV files, and WaveLab Elements supporting up to 5.1 surround. In both, you can freely create Channel Clusters from two or

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More channels and process them independently, plus you can open, save and edit multi-channel files just as you can with stereo or mono files; you can also select specific channels to open in external audio editors.New VST-3 Plug-ins for WaveLab ElementsThe Elements version of WaveLab 11 received a VST-3 plug-in infusion from Steinberg, including DeEsser, for getting rid of sibilance on vocals; Expander, for reducing the level of unwanted audio or gating it out; Mix6to2, for downmixing surround mixes to stereo; the self-explanatory Mono to Stereo; and Ping-Pong Delay for stereo delay effects.PingPong Delay enables stereo delay effects.New VST-3 Plug-ins for WaveLab ProThe processing options in WaveLab Pro 11 were expanded even more, with the addition of seven VST-3 plug-ins. DeReverb allows you to remove ambience from a recording; LinPro is a dithering plug-in featuring the latest technology from MAAT; Frequency 2 is a powerful eight-band equalizer with a switchable dynamic mode on each band; Squasher offers multiband compression — both upward and downward — and features comprehensive sidechain control; Imager allows you to adjust the stereo image of a track or clip in four independent frequency bands; Quadrafuzz V2 is a versatile multiband processor that lets you choose one of five different distortion flavors for each band; and MixConvert V6 enables you to monitor a surround mix in a stereo playback environment.Squasher provides multiband upward and downward compression.Automate Plug-In Parameters with Clip EnvelopesWaveLab Pro 11 gives users the ability to automate VST-3 plug-in parameters using clip envelopes. These are similar to volume and pan envelopes, but are used for controlling effects in an Audio Montage. They can be managed from the Automation Envelope Panel in the Inspector, where you can easily assign them or turn them on and off; you can also text-edit envelope points.Adjust effects parameters with clip envelopes.Track GroupsWaveLab Pro users can also freely assign tracks to Track Groups for added routing and processing flexibility when working on multitrack projects. Each Group resides before the Master or Montage outputs in the signal chain and has independent gain and pan controls; in addition, it can receive its own effects processing. A Track Group Editor lets you name and assign colors to Groups and move them using drag and drop.Track Groups provide new routing and processing options.Track LanesWithin each track in WaveLab Pro 11, you can now create up to eight lanes in which you can host additional audio clips — a feature that greatly enhances stem creation and is also handy for layering audio for sound design. Each Lane offers independent effects and gain controls and can be muted or soloed. You can also show or hide the Lanes and convert tracks to Lanes or Lanes to tracks.Track

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Cut and paste that content from one layer to another, yielding the cleanest possible separation. Each layer can be soloed or muted and you can use the spectral editor to remove any noises which might be present in the audio. To see and hear this in action with some podcast audio, check out my video below. An ARA version of another Steinberg application is also included with Pro Tools: WaveLab Go. This is a light version of Steinberg’s popular mastering software, WaveLab Pro. As with SpectraLayers Go, WaveLab Go can also be accessed by right clicking clips on the Pro Tools timeline. This provides several useful features… WaveLab Go Something which I’ve found to be very handy when working on podcast episodes are the loudness normalisation features. From the Process tab in WaveLab Go, click the dropdown next to Loudness and you’ll see presets for a number of popular delivery platforms including Amazon Music, Apple Music, Apple Podcasts, EBU R-128, Deezer, Netflix, Spotify, Tidal and YouTube. Clicking on any of these will adjust your audio to the integrated loudness target level for that platform. WaveLab Go also offers other types of processing such as time stretching, pitch shifting, pitch bend, reverse, polarity inversion, DC offset removal, swapping stereo channels, envelope adjustment and more. Add to this the spectral editing features and you’ve got a very capable set of features which adds nicely to the functionality of Pro Tools. If you purchase a WaveLab Pro license, the ARA version will now have access to an even wider set of features from the standalone software. In the video below, I use WaveLab Go to adjust the loudness of 3 podcast episodes to hit the Apple Podcast standard of -16LUFS.If you like what’s on offer in Steinberg SpectraLayers Go and WaveLab Go, it’s

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Dedicated plug‑in for just this job in Cubase Pro 11 — SuperVision — and that plug‑in is now also available to WaveLab Pro users. While SuperVision undoubtedly duplicates some metering/analysis options that were already part of the WaveLab feature set, it does offer a number of attractive workflow advantages.For example, the layout is highly customisable, with up to nine individual metering/analysis modules (from the 27 module types available) being displayed within a single instance. In addition, if you have a multi‑screen host system, placing SuperVision on its own dedicated display means you always have your analysis tools available. And, as you can use multiple instances of SuperVision, you can easily meter before/after a key audio processor (or processor chain) for feedback on the changes produced.The modules themselves provide a very broad range of options from simple level metering, various phase displays, a range of different spectrum displays and a number of different loudness options. All the modules have their own Settings panel for fine‑tuning their behaviour. While there is plenty of overlap between the modules available in Cubase and those now found in WaveLab, there are also some differences. For example, WaveLab’s SuperVision includes a ‘Netflix’ Loudness module and, most welcome, a VU meter module. Hopefully, the latter will reach the Cubase SuperVision module list shortly. Anyway, SuperVision is something that every WaveLab user could potentially benefit from so it’s an addition that will have a very wide appeal.Plug The GapThere are eight further ‘new to WaveLab’ plug‑ins. Of these, five are also arriving from Cubase; Imager (multiband stereo image adjustment), Frequency 2 (multiband dynamic EQ), Squasher (multiband dynamics with both downwards and upwards compression), Quadrafuzz v2 (multiband saturation/distortion) and MixConvert V6. I covered the first three of these in the Cubase Pro 11 review, while Quadrafuzz v2 has been available in Cubase for some time. Those involved with mastering will find them all to be useful additions, although WaveLab’s Master Rig — which is excellent — already offers modules that provide much of the same processing capabilities. MixConvert V6 adds a further option for those needing to monitor a. WaveLab Pro 11 WaveLab Elements 11 WaveLab LE 11 Version history February 2025 WaveLab includes several new features and HAMBURG, GermanySteinberg today announced the immediate availability of WaveLab Pro 11 and WaveLab Elements 11. WaveLab Pro offers a comprehensive feature set that meets all

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Surround audio project on a stereo playback system. WaveLab already has a number of options to achieve this in the Playback Processing panel of the Master Section, but MixConvert provides greater flexibility.Of the three totally new plug‑ins, one is also aimed at multichannel audio; the impressive‑looking AmbiDecoder. While I didn’t have the chance to fully test it, it will convert a first, second or third order Ambisonics mix to an HRTF‑based binaural sound for headphones or a speaker configuration.The final two newbies are DeReverb and LIN Pro Dithering. The former provides a four‑band reverb reduction system that, in use, is very good indeed. It works very well when used for cleaning up field‑based voice recordings and was impressive when reducing existing room ambience or reverb on stereo drum recordings. It includes a Learn mode (which tries to optimise the initial settings) and the ability to monitor just the signal being removed. I can imagine Cubase users hoping this is a plug‑in that eventually goes in their direction. LIN Pro Dithering brings a more advanced approach to dithering and has been developed in collaboration with MAAT Audio (a company with some impressive clients for their audio processing expertise). It offers different dither type and noise‑shaping algorithms as well as an Auto Blanking option that, when activated, gates the dither noise during sections of silence.Two other plug‑in‑related changes are also worth mentioning. First, the External FX plug‑in (which can assist when you need to patch external hardware into your WaveLab signal chain) has been improved with new input/output meters to help with gain‑staging. There is also an option to embed an image of your external hardware into the window and this could, for example, be used to record the specific hardware control settings for later recall. Second, all WaveLab’s plug‑ins now have a plug‑in history system and an A/B settings system. Flipping back through your setting changes for an individual plug‑in, or toggling between two setting states, is now much easier.Audio In, Audio OutIf you work on audio for video, WaveLab Pro 11’s new capability for replacing audio in video without re‑rendering